#disney cultural exchange program summer 2017

[ibreathedisney]

Working for Disney (DCP/CEP): Week One

Working for Disney (DCP/CEP): Week One

I managed to keep a daily diary for the majority of my summer working as a Cast Member in Walt Disney World. Some days are a bit sparse compared to others, and  honestly some days are actually just very boring. But, if you’re nosey (like me) are thinking of applying to the programme or have been accepted to the programme and want to know every single little thing that happens over your time…

[popculturebuffet]

The Three Caballeros Movie Review: Rejoice Now Donald’s Been Laid (Commission)

It’s time at long last we talked about those three happy chappies in snappy serapes. Who say so? @weirdkev27​ say so! He’s planning on funding an ENTIRE retrospective on the boys, so in addition to my Tom Lucitor Retrospective (Expect that to return very soon as one of the episodes in it is time sensitive), Road to Just Us Justice Ducks, and look at “The Life and Times of Scrooge McDuck”. I’m proud to announce a new recurring feature on this blog “The Ride of the Three Caballeros!”, a look back at these birds of a feather who flock together and their wild and wonderful history cumulating in “The Legend of The Three Caballeros”.  Honestly I thank Kev for the idea as it’s a damn good one. Ever since seeing them on House of Mouse, which I both really need to cover and Disney needs to add already as we’re a year into Disney plus already, I’ve loved Jose and Panchito, and reading barks story years ago, and again recently, gave me a lasting love of these goofs. They have great snappy designs are the rare pre-ducktales 2017 non duck bird character, and have wonderful personalities. There’s nothing not to love and thus nothing not to love about covering their adventures. So i’m excited for this and not just for the much needed christmas money.  Naturally we’re starting the adventure here with the founding of the trio, though Kev, for now he could change his mind, choose to start with this movie instead of it’s predecessor Saludos Amigos,  on this date for two reasons. The first is it’s Friday the 13th, which besides being the basis for an utter classic of a Hey Arnold episode

Which yes for those unfamiliar with Hey Arnold features Arnold dealing with a spell of bad luck, some bullies and his grandmother dressing up wlike a black cat to rescue black cats, which is sweet.. and training them into her horrifying army of the damned, which is somehow still sweet as it is awesome.  It’s also the day this guy barges into my house thinking it’s camp crystal lake

I swear to gods Jason GET A FUCKING PHONE WITH GPS. We are not clearly not teenagers. And he’s always so embarrassed and the stab wounds always take so long at the hospital to treat. It’s just a mess.  But it’s also, according to this film Donald’s BIrthday! This was during an earlier point in his career, that will be important in a bit, so Disney hadn’t yet settled on their tradition of having their characters birthday’s being the same date as their first appearance. For the record that would make Donald and Della’s current birthday June 7th. I did a special on Donald Duck shorts for it this year. Not sure what i’ll do the next. We will see. And for fun and my own curiosity I looked up the birthdates of some of the other Ducktales castmembers as well as my boys here They are: 

Jose: August 24th (World Premier of Saludos Amigos)  Panchito: December 21st (The Mexico City Premiere Date for this very movie) Scrooge: November 14th (Thank you INducks seriously it’s a massive help with this.  Daisy: June 7th (Debut of Mr. Duck Steps out) Huey, Dewey and Louie: October 17th (First appearance in Donald’s Newspaper Strip) Webby, Beakley and Launchpad: September 18th, thanks to launchpad’s driver’s license as well as all three characters debuting in the opening arc. Though to separate them i’d likely  try to find different dates for both. For now i’m going with October 12th for Mrs. Beakly (The airing date for the Ducktales 87 ep maid of myth) and October 29th for Webby (the airing date for another 87 episode, this one about webby and a horse).  Gladstone: August 15th, as while it was released in january there is no firm release date for it. Plus a summer birthday fits him better anyways. Thank you Inducks for that.  Magica:  September 28th, finally a firm publication date. While there’s a creation date unlike Gladstone I see no need to use it.  Darkwing Duck/Drake Mallard: September 6th GLOMGOLD: July 26th Was that entirely necessary? No Would I do it again.. absolutely. It also means I really need to do something for Scrooge’s Birthday in two days. But that’s future me’s problem. Current day me has his own problems specifically a movie review to continue.  The films genesis was a in a good will tour Disney did in South America, as part of America’s Good Neighbor Policy. FDR started it in order to try and strengthen ties between Latin America and North America, to prevent any sort of war with our close neighbors and to foster good economic ties between both as well as integrate Latin culture into americans lives to make them care about those countries more. And given it was started as HItler’s rise to power grew, and America knew they’d inevitably be dragged into World War II, and thus wanted to put the kibosh on several Latin American’s Nazi Ties. So in exchange for Money, since Disney was struggling due to overextending itself and the big animator’s strike at the time, The US sent Walt and some of his animatiors to South America, where MIckey Donald and Goofy were big and to make a film based there. Hence we got Saludos Amigos which is .. kind of forgettable to be honest, though the Gaucho Goofy segment is fantastic as the “How to” shorts with goofy around the time usually were. But the film gave us Jose, hence why Donald and him are familiar with each other here, and was a moderate success. This lead to the Goverment, who’d already contracted a bunch of propaganda, one of which I covered in my Donald Duck Shorts Birthday Marathon because it contained prototypes for Gladstone and Scrooge, so another feature for South America was a win win: The US got another way to strengthen ties between the Americas, and Disney got a film they could put out during said war to lift spirits, as well as on that would likely be a hit in South America due to them not being under wartime money crunch or the misery of having a war looming overhead. As a side note. I found out after looking at the wikpiedia article on The Good Neighbor Program.. it eventually and sadly collapsed as the US post WWII shifted to the Cold War and thus threw away non interference if it meant beating the Russians. Classy.  So yeah.. this film and i’ts predecessor are technically propaganda pictures. There was also another disney full length propoganda picture about fighter jets, I only learned about this thanks to the slashfilm article I found on the movie that told me a lot of this in the first place. It’s not avaliable but it should be.. though at the very least unlike say House of Mouse, Wander Over Yonder, Penn Zero: Part Time Hero, American Dragon Jake Long, The Weekenders, Pepper Anne and MANY more, it’s absence from Disney + makes sense. And I will continue to bitch about this till Disney actually starts adding more legacy animated shows, or at least makes a few of it’s own, though I will concede reviving the Mickey Mouse shorts that Disney Channel started up is a VERY good first step and i’m sure What If and Proud Family: Louder and Prouder will be fine. I just want more animation content on the streaming platform of one of the biggest animation studios in the world with one of the most storied histories. I’m REALLY not asking a lot. 

That bit of bitching aside I will give Disney+ credit where it’s due. The service offers MOST of the Disney vault for a very reasonable price a month, in crisp HD, and thus allows someone like me, who hasn’t really dived into the disney vault and slept on watching three cabs despite borrowing it from some friends, to dive into beautiful animation like this any time. It also allows me to explore disney’s older films, the ones I want to anyway, at my leisure and it’s a REALLY nice feeling. It’s also nice to have all the various animated shows in nice clean copies. So while there are sizeable gaps in the library, many of which as highlighted above have no reason for not being there and some like Song of the South have DAMN GOOD reason for never being there, I still apricate the service for being a vast, glorious digital library of Disney content as well as stuff they’ve acquired like the marvel show library, and this review would not have been as easy to do without it. So with my opinions on D+ and the exposition for WHY this exists out of the way, as I couldn’t find much else on this flim’s background, join me after the read more for a full review of the film! Who says so? I says so! 

We open with.. the Disney+ content warning again. In my review of the last part of “Catch as Cash Can” I went on about how much I apricated it and it stands: while i’m not blind that it’s a blanket statement to cover disney’s rears, it’s still apricated for them to care enough to force the content warning on the viewer. Given how bad they usually are at falling on the right side of history, this is very admirable. Though thankfully this film isn’t as offensive as the last content warning I got for the last part of “Catch as Cash can” aka “Watch registered White Guy Hamilton Camp play a bad indian sterotype for 22 minutes while my soul slowly dies”. Here there are bits, which i’ll get to now to save me the trouble later: The Littlest Gaucho’s side characters are all drawn pretty carcturish and a bit cringe inducing. The other is of course Panchito our Mexican representative.. who wears a sombrero and shoots two pistols around. And there’s just a tinge of white man going ot another country to get laid with the way Donald behaves throughout the picture. Basically little touches here and there but nothing that spoils the picture overall or makes whole scenes unwatchable. Still worth having the warning up, but not worth getting too worked up over.  So onto the film itself and as mentioned i’ts Donald’s birthday! And I will say the film has lots of great little gags here and there.. I won’t be pointing all of them out because this film was 70 minutes long but their very charming. HIs first gift is a projector and screen.. which he naturally has to fight to get working and which first projects on his ass, already a good start. And a general thought I like is how receptive Donald is to soaking in another culture. He just seems joyusly enthralled by the various films, gifts and places his friends bring him.. 

But again we’ll get to that. Point is it’s very nice to see Disney portay learning about another culture so positively and with such a hot head as donald. Even if i’ts in part to appease the US Goverment, ther’es a genuine feeling that they truly fell in love with these countries and aren’t JUST shilling them because it’s in their contract, but because they genuinelly liked it there.  So with that we get to our first segment. See the film is one of Disney’s Package films, anthology films taking a bunch of short segments and pasting them together, but here it’s framed through the narrative of DOnald’s birthday, so there is KIND of a plot.. but it’s mostly an excuse for musical numbers, short films, and more musical numbers.

Dammit Elmo, we will get to it! So naturally i’l lbe dividing up this review into various pieces. First up...

1. The Cold Blooded Penguin: Life of Pablo, The Good Version This is a brief but endearing short about a Penguin named Pablo who dosen’t like cold weather, can relate, and wants to move to some tropical paradise, again can relate. It’s BARELY related to the theme of hte movie, celebrating Central and South America, but it’s so damn charming I can’t help but love it. And Pablo is so damn adorable, as are his friends. I mean look at him. 

He’s just so precious and you just want him to finally get to his paradise with the help of his friend, his boiler there smokey joe, and root for him as his farewell party dwindles from a bunch of penguins to just bob and gary here. 

I may love Gary, the tall one, more than I love Pablo honestly> His sad eyes or the way he’s the ONLY one who sticks it out to the end, seeing Pablo off at last. Pablo’s first attempts, going without his boiler, which just ends iwth him freezing and attempting to carry smokey joe on his back both fail, he eventually decides to go with a boat and cleverly simply saws the ice berg he’s on so it’ll drift with his house and possessions, and has Gary hit it with a bottle both to christen it and to send it flying. Plus having bags on the bags on my eyes myself, I can relate to their tired expressions. As can we all after this year. Just a month and a half and it’s finally blessedly over. 

Pablo makes his way through, finally finding his island only to nearly have his iceberg melt before he gets there. But he persevers and gets his paradise, even adorably eating a banana> Though it ends on a mealoncholy yet still funny note of Pablo missing home even though he has a pet turtle/butler now. Man I want one of those.  One final note is that the short is narrated greatly by Sterling Holloway.. aka the future WInnie The Pooh using that exact voice which while a little weird in hindsight, just makes the short that more adorable if you imagine Pooh is reading a story to you. Just a really damn cute short with some good and intentive gags, and penguins. I mean i’ll be honest I have a soft spot in my hart for those tudeoxed boys thanks to the comic strip BLoom County and it’s lead character Opus taking up a LOT of real estate in my heart and brain. Here’s a few samples of him just so you get why.  

Just a sweetheart. Though his honker would grow exponenitally with time. And once get grabbed by a card carrying MAGA asshole. But I can talk about my boy here and this strip again another day. Point is I may love pengies but even that aside this is a good short and a good way to start things off. Sadlly the pacing then lops out a bit as the next two bits aren’t QUITE as entertaining. 

2. Birds Birds Birds: Of Arcuan BIrds and Toucan Sex Donald then watches a film on birds, and i’ts basically just a bunch of short funny gags with various tropical birds. There are a FEW notable bit sin the short, and I will get to them now, but otherwise it’s just okay.. not great but not exactly memorable. I honestly forgot there was anything BUT the Arcuan bird in this bit. Speaking of which A) The Arcuan Bird, a hyperactive pink little guy who makes a little “yatatata” noise, and boops donald a bit and later shows up in the film to steal Jose’s Cigar. Easily the most entertaining part of this section and there’s a reason why he became a massive fan faviorite, as well as got a more expanded roll in Legend of the Three Cablleros. He’d also apparently later return for another Package Film. What a bird.  B) There’s a bit with Toucans, which I remember because I freaking love Toucans, the big colorful beaks look neat contrasted with their black and white bodies and they seem friendly and the one fictional one besides Toucan Sam I can rmemeber is Tuca of Tuca and Bertie. Nuff said. And because they mention the Tucan’s making love. First off this is how a Tucan makes love. 

And secondly, clealry the term has evolved considerably, but it’s still chuckle inducing to have that term in a disney movie, especially since it makes me think of a number of things most notably this. 

Which, fun fact, is the song that will likely be sung when Donald and Daisy finally have sex in the Ducktales Reboot. Della didn’t buy those choir robes for nothing. Though the joke here is simply that they can’t kiss because they have big noses. GET IT. Though I have seen incompatable noses end marriages. 

See I told you his honker got bigger. Okay onto the 3rd thing from this bit. 

C) The Flamingos, who retract into themselves while Donald adorably copies. What a boy. With that I can move on from this segement thankfully and onto... an even worse one!.. wait... 

3. The Littlest Gaucho: The Boring One  This one’s a leftover from Saludos Amigos, likely because that one already had a Gaucho Bit with goofy and because it’s not very good. But Disney was strapped for cash so use everything you got. And yes I advocated for using everything in my review of life and times part 1.. but that’s more for a shared universe and left “Oh hey I found this short in our garbage let’s put it in another movie to save money” way. I appreciate being cheap, I myself am unemployed and right now these reviews are my source of income, but you could’ve just you know.. let the film be shorter? You didn’t have to waste animation leading inito this bit.  This one is the story of a young boy, as narrated by his older self who can somehow see through the veil of time and yell at his younger self. How? 

But it dosen’t really help the story as i’ve seen far better interactive narrators and ones clearly editing history. Especially since, despite ending on a VERY sour note, How I Met Your Mother was a pro at this. It’s not the film’s fault, but even back int he 40′s I swear they could do this better. 

It’s the simple story of the little Gaucho finding a flying Donkey, befriending him, and then entering him in a jockey race which they win. There’s one or two good gags here, but it dosen’t have the cutness of the previous segments and only one or two good gags. It just feels like filler and if I watch the film again, which I probably will, I will fast forward past this. Thankfully after this we finally get a break. 

4. A Song For Bahia: They call him JOSEEEEEEEEE.. and he’s Donald

Jose enters! Donald’s next gift is a book from Brazil that’s smoking..mostly because so’s Jose. The two friends reunite, with Jose in a story book asking Donald about , what I assume is Jose’s home state of Bahia, one of Brazil’s 20 states and spelled Baia in this movie for some reason.  We then get an absolutely beautiful sequence of Jose’s voice actor singing about Bahia and showing off how beautiful the country is through gorgeous animation. It’s a really marvelous segment and really pretty to look at. And once that segment’s done the film starts to pick up in energy, though unlike the Gaucho segment, the Bahia song is actually good. 

5.  Os Quindins de Yayá: The Sleeper Has Awakened.. and by the sleeper I mean Donald’s Penis.  There’s a few bits here. We start with the wonderful song, “Have You Ever Been to Bahia?”.. which is almost entirely Jose asking that to donald who says no, with some fun mindscrewy animation.. the film has not BEGUN to mindscrew, but we’ll get to that. 

Also for this segment Jose apparently has Jamie Madrox powers.. or he’s from Cragg.. either way, Donald hasn’t been to Baia so let’s go. The boys take a train, the Arucan messes things up again, etc etc and soon their in Baia where two major aspects of the film show up: Blending Live action with animation, and Donald being really horny. It’s not to a creepy degree outside of one segment, we’ll get there, but Donald being really into live action women is a major part of three segments of this film. If your wondering while Daisy had debuted, she wasn’t the ETCHED IN STONE, presence she’d become for Donald. Which I don’t have a problem with, I love them in Ducktales 2017, their one of the few tolerable aspects of the quack pack’s i’ve watched, and they were great in House of Mouse. I”m just saying some works don’t really have her around in them (Donald’s spy and papernik adventures), while other more charming and eligible women are, while others have her as outright abusive (Legend of the Three Caballeros). I’m not against Donsy when done properly, again huge fan of the Ducktales 2017 version of the couple, I just dont’ think it has to be mandatory. The fact the Italian comics made Donald a fairly likeable alien queen as a love interest proves it. 

But yeah here Donald’s thirsty as fuck, can relate, and thus we get our next musical number.. and that blend of live action and animation. I will admit, especially on second viewing.. it’s pretty obvious their mostly using a green screened animated backdrop with the charcters on it. The other segments are much more integrated. That being said.. i’m perfectly fine with it, as Disney was on a really low budget, only able to get financing for package films like this since their main financer wouldn’t given them money for anything but shorts, so it was a workaround, not to mention having a mass talent exodus over the strike and World Fucking War II to contend with. So cheeping out on ONE segment in a large film, and STILL having it come out good is fine just fine. And it truly does, the segment centers around Yaya, a cookie seller and the object of Donald’s affections, though he gets mad when a guitar man slips in and woos her instead for a bit before eventually leaving her alone, with Donald getting a kiss. But while parts of that clearly haven’t aged well, it’s an utterly joyous and fun musical number in an already fun musical, and Aurora Miranda who plays Yaya, and is sister of Carmen Miranda something Disney actually put in promotional materials.... come to think of it I didn’t watch the trailer.. I’ll get to it in a moment. Point is, Miranda is very talented and it’s  VERY fun number. Have a listen since the sequence itself is WAY to long to put video of up on youtube. 

And having watched the trailer during that music break, it’s not bad, I expected more cringe. The most I got was them calling the women “latin american lovlies” which.. seems.. wrong. But with the romance of Bahia setting and Donald dragged out by Jose, we can get into our next segement as, over halfway in, we finally get our third Cabllero 

6. The Three Cablleros: Who Say So? We Say So!

HERE COMES THE PANCHITO Ladies and Gentleman and Others! HERE COMES THE PANCHITO! the moment you’ve been waiting for! HERE COMES THE PANCHITO! the pride of Mexico! HERE COMES PANCHITO! Panchito Pistoles! 

When then meet Panchito who joyfully shoots guns around, because stereotype but thankfully he’s also joyful, jubilant and likeable much like his pal Jose. Panchito’s just a thoughtly likeable character and next to his smooth talking pal, it’s easy to see why the two became huge fan favorites. And thus we get our title track. 

IT’s a beautiful, fun segment, that while some portions, such as Panchito’s yelling or “some Latin baby’ haven’t aged particularly well, is still a fun colorful number with amazing music and great gags, that utterly sells our boys camaraderie. I have no notes, ten out of ten flawless classic number. Who Say So? I SAY SO! Also given both boys kiss Donald at some point.. yeah these boys are bi as fuck and damn i’ts awesome. 

7. Mexico: Bored Again, Naturally.  Donald then gets a pinata and we get a short story about a bunch of kids going around to places only to be told “no shelter no posada”. Like the Gauchito bit.. it’s pretty boring and nonconesquential and only gets a leg up due to being far shorter and a little adorable versus not really as adorable as the segement thinks it is. The kids end up at a party with a pinata. We do get a fun sequence after this nothing of a story of Donald batting a pinata around while the boys mess with him a bit. It’s fun stuff.  Out of the PInata we get another storybook, and another slow segement of Panchito singing about mexico which is a less fluidly animated, and thus far less entertaining, version of the Bahia song.. diffrent song, same premise of a bird melodically and beautifully singing about his home land, but less engaging because it’s just still images. I get they were low on budget but while I can forigve that for the Yaya sequence.. this one.. I just can’t as they not only already did this, but did it less good the second time around. The song is lovely though, and I do miss a time in our culture when we looked at Mexico with fondness and didn’t have a FAR too large portion of our population think anyone from there should go back where they came when they come to our brave country to find shelter, aslym and opportunity just because they didn’t go through “proper channels’ even though that’s difficult. WHat i’m saying is fuck our immigration policy for the last 4 years, and bless the president-elect for planning to fix that ASAP. I felt it was worth mentioning in a review ABOUT a Mexican character who, in the reboot, is an immigrant to America. 

8. Everybody Dance: Another fun number. 

We’re onto Mexico and it’s time for another musical number

So our heroes dance, Donald hits on some more women.. stuff we’ve seen before but it’s still a fun beautiful song and unlike the last bit while the animation has clearly aged enough to be more obvious, it still looks great next to the various live action dancers and blends real well. A fun time that gives us more great music and another reminder from donald that...

I mean I get being thirsty as shit, again can relate.. but the next segment takes it from Donald and the Boys being kinda horny to. 

9. The Beach: Donald Gets Creeptacular

Yeah this bit is .. less endearing. The boys fly the serape over to a beach, and divebomb the girls, which isn’t a sex act.. that i’m aware of. But yeah chasing around several women, and donald leaving the Serape to chase them around old beach movie/benie hill/trying my patience style. It’s cringe is what i’m saying as a man literally chasing a woman around is considered flirtitng here and that’s all kinds of EUGGGGHHHH. The previous segments had Donald be kind of respectful in his woman chasing: while he was pretty horny, he also tipped his hat, flirted a bit, asked to dance you know, normal shit.. not decided “let’s chase them with a serape that will turn them on!’ jesus.. yeah not much to say here either just.. really creepy. But we have not reached peak horny donald yet.. oh no. 

10. Donald’s Surreal Revere: WHAT EXACTLY THE FUCK. 

Dora Luz appears in the sky of Mexico after the boys exit the book and flip to Mexico’s night life... just go with hit and Donald swoons over her before joining her int he book and after getting a kiss from her and swooning over her.. has an acid trip. I .. I don’t know how else to describe Donald’s surreal reverie. It’s clear Walt just told the animators do whatever. I will TRY to describe this sequence as best I can, but I make no promises except what I describe is exactly what happened, see for yourself.

Okay so after Dora’s magical floating kisses, just go with it, kiss donald he explodes, in a rocket blast clearly symbolizing his errection, then becomes a neon sign and a hummingbird, just go with it, tries to kiss Dora’s image appearing on a flower, then Jose and Panchito BURST out of the flower with tiny chipmunk voices and gun violence, a SCREAMING TECHNICOLOR TRANSTION, dora singing the song in the middle of a flower again , donald making out with the flower but it turning out ot be panchito with a giraffe neck saying “Some fun eh kid?”, donald falling through a sea of ladies, donald chasing the ladies on a serape. Donald’s disembodied head looking at the ladies before bursting out of the picture to chase them GOOD GOD DID WE NEED MORE OF THAT?! The boys ending up on female bodies and them some sort of horse abomination. Then we get into what must of inspiried a young david Lynch as donald kisses the flower agian, then ends up in one as they replay a creepy whispery recording of either Jose or Panchito saying pretty girls while we see still images of the girls from the beach. Hummingbird Flower Donald then has a romantic duet with a lady because WHY NOT at this point, then multiple donalds before he spins away. We get one last number with donald dancing with living cacti that turn into mini donald’s that’s slightly more sane and finally this bit is done. IN conclusion. 

I just.. I have no words. The giant mess of text up there should explain it and I purposfully didn’t divy it up as i’ve been trying to do more often, as it deserves to be one long string of nonsense. I just.. it’s beautiful to look at but what the hell was that. Is this going to happen every time Donald and Daisy have sex? Is this what Donald’s brain is like all the time? Did Panchito inject him with pure liquid acid?

So yeah we thankfully conclude the film after that with 

14. The Wrap UP The boys horse around with a bull and then heartwarmingly watch fireworks together.. there isn’t much to add it’s jsut fun to watch and a nice pallete cleanser after loosing my sanity. Isn’t that right keith david?

You always say that! So...

Final Thoughts: I’ve made my thoughts on the various segments clear, but what of the film as a whole? As a whole.. it’s pretty fun. Is it the best film Disney’s Produced? probably not. But it’s a fun, brisk 70 minutes, hampered by a few slow spots and some weird horny bits, and various segments feel like an acid trip despite having never taken acid. But our boys easlly anchor the surreality and thirst and all three have great chemistry both comedically, friendship wise and romantically. It’s also very easy to see why this film and it’s cablleros got big in Mexico and Brazil as the film seems like a love letter to both, and is fairly respectful. WHich for the time, sex tourism aside, is pretty damn inspried. So yeah in conclusion, this is a really fun memorable film, it was even better on a second watch and it’s an enjoyable colorful reminder of Disney’s package film era, which I might dig into a bit.. I just may have to borrow a copy of make mine music.. guess what just got added to my list of “why the fuck isn’t this on disney plussss?” 

Regardless this was a fun review and auspcious start to the ride of the Cablleros. if you’d like to comission your own movie or tv review, hit up my ask box or submit box or shoot me an ask to get my discord. You can also join my patreon, patreon.com/popculturebuffet, Until then you can check this space for the various ongoing series mentioned and regular Ducktales coverage every monday. Until then, Adios, with a christmas message from my personal fourth Cabllero

[memorylang]

Language Learning, Mom’s Birthday | #43 | August 2020

Since Mom had held language-learning close-to-heart, I dedicate my August update to a language theme! 

With August 9, 2020, my late mom turned 55. I’ve often felt since 2017 a bittersweet fondness for the summer months between Mother’s Day and her birthday. That year had been my first summer in China getting to know Mom’s family after her death. 

For this August’s story, I’ve reflected a great deal on my experiences with language learning. Of which I’d written before, I’ve basically chosen five languages as the ones I want to be functional using (my native English included). So beyond the usual reflections from this COVID-19 summer in the States, I also take us back through my young life learning.  

And, I’m pleased to announce that I've begun to work on a new writing project! More on that soon. 

From Multilingual Mom to Me 

I start us from spring 2020, around evacuation back to the U.S. from Peace Corps Mongolia. 

By April 10-16, I’d been in my sixth week in Vegas again. Yet, less than a couple months before, I was in Mongolia packing to evacuate. As part of my coping while packing, I’d listened to hours of music. Much included Chinese Disney themes I’d found on Spotify. 

Well, having returned to Vegas, you might recall that the sisters’ songs in “Frozen II” resonated deeply with me. Whether while waking or working the yard, I’d listen to “Frozen II”' tracks in Chinese, sometimes in English. Finding songs in other langauges fit my 2020 exploration resolution. I humorously suspected that my Spotify Wrapped 2020 will surely list the same tracks in different languages... if only Spotify had Mongolian versions. Well, a month later, by week 10 (May 8-14), I’d exchanged the songs’ English versions for Spanish!  

That week also featured May 13, 2020—the third anniversary of Mom’s funeral. This year, something special happened.  

I’d received a fateful book—A Primer of Ecclesiastical Latin. My college pastor had ordered this for me just days after I’d asked him what I should consider studying while discerning during quarantine a doctorate in religious studies. After my pastor noted my interest in world Christianity, especially its past and present in Asia, he highly recommended I study Church Latin. 

My pastor’s suggestion pleased me in a curious way. It reminded me of my Duolingo dabbling back in Mongolia, how at that time I’d favored Latin over Greek. Still, Liturgical Latin, studied seriously, seemed like quite an undertaking. Nonetheless my pastor commended my talents and felt confident I could succeed along paths God may open for me. I felt grateful for the aid! 

Embarking on my quest to learn Latin, I’ve found the language remarkable. 

It’s felt at times the culmination of my years learning languages. In fact, Mom had actually wanted my siblings and me to learn languages since we were little—She’d taught us to read English then tried to have us learn Chinese. Most summers, she’d have us in the mornings copy down Chinese characters before she’d let us play games or do activities that weren’t “educational.” 

While cleaning my family’s garage this COVID-19 this summer, I’d unearthed old notebooks in which my siblings and I would write Mom’s required phrases. I noticed how even back then I’d seem to try harder than most of my siblings, given how many characters I copied. Still, I hadn’t much inclination to know the language words beyond, then, clearing Mom’s barrier to letting me play games. 

Still, even if the notebooks had implied some aptitude I’d had for languages, Mom’s requirements left me if anything more averse to language acquisition than eager. 

Suffering Through Spanish

Many today may feel surprised to know that for years I’d called Spanish my second language. 

Given my childhood disdain for studying languages beyond English, I’d found my task to study Spanish in high school assiduous. I formally began in the language fall 2011 as a freshman. Spanish was our Vegas school’s only foreign language option, and all honors students needed two years of language. Yet again, my language studies drew from a requirement—little more. 

Many of my classmates and I rapidly found our classes exhausting, for our instructor had a thick French accent. Furthermore, verb conjugation, unfamiliar tenses and gendered vocabulary felt alien. I didn’t get why a language would be so complicated. 

Yet, despite my struggles to understand our teacher, she’d commended me because I “made the effort.” Well, I sometimes felt like I’d make the effort to a fault. When peers cheated on exams, my darn integrity had me abstain. 

By my second year, when I was succeeding in college-level AP world history, my fleetingly flawless GPA took from Spanish a beating. That hurt. By my senior year, at least Mom let me take Spanish online instead. I’d learned that I’d known more than I thought, but I still sucked. 

Redemption Through Mandarin

By fall 2015, I’d had graduated high school and enrolled as an honors undergrad facing another foreign language requirement. 

Licking my wounds from Spanish, I ruled out that language. I saw the University offered Chinese, though. Studying world history had interested me in Mom’s cultural background and native tongue. Considered she’d made my siblings stare at the language since childhood, I hoped it wouldn’t be too hard. So, I chose Mandarin Chinese.

And by my first days learning Chinese, I could already feel the benefits of having taken Spanish. 

Chinese felt astoundingly straightforward. Spanish had taught me to recognize that English letters (better known as the Latin alphabet) sound differently in different languages. For example, I felt pleased to notice that the ‘a’ /ah/ letter in Spanish sounds similar to its Chinese pronunciation. Thus, Spanish’s “mamá” and Chinese’s “māmā” relate, despite appearing in separate languages. 

Thanks to my Spanish experience, I picked up Chinese’s general pronunciation system far faster. Furthermore, I felt relieved to find that Chinese grammar lacked the conjugation and gender nightmares I’d faced in Spanish. I’d even loved how Chinese characters’ little images could often help me guess word meanings intuitively! 

My interest and success with the Chinese language led me to study abroad in 2017, planned with my mother before she was killed. I returned to China a year later, in 2018 on an intensive program. Both times, I spoke my mother’s native tongue, meeting relatives and making friends. I even received awards for my skills. 

Yet, despite my progress in Chinese, I’d often considered it only my third language. After all, much of my success in Chinese came having struggled through Spanish.  

  Finding Peace with Spanish

In my college senior year, January 2019, I’d attended a religious pilgrimage in Panamá—a Spanish-speaking nation. 

By that time, I’d grown acquainted with language immersions. In fact, I readily used my Mandarin skills when I met World Youth Day pilgrims from Hong Kong, Malaysia and Taiwan. They often felt shocked to meet someone outside their communities who knew their language! 

Of course, Panamá left me at times surrounded too by folks who only spoke Spanish, including my host family. 

I listened carefully. A luminous spark, I’d felt. Buried memories of my broken Spanish resurfaced. Near my last day in Panamá, I felt awed to have had a conversation with a cab driver completely in Spanish. 

My peace with Spanish became a renewed interest. 

After our pilgrimage, I’d continued with my host family and new Latin American friends to speak and write almost exclusively in Spanish. Online, we benefited over WhatsApp with Google Translate, too. Panamá in 2019 had taken a language that was for me dead and breathed in it new life. 

Peace Corps Language Level-ups

Later that year (last year), I began to learn what would be my fourth language and one entirely unfamiliar—Mongolian.

I should note that before reaching Mongolia June 1, 2019, I couldn’t even read its Cyrillic alphabet. I’d basically started at zero. 

Peace Corps’ language briefings had at least taught me that Mongolian is an Altaic language, distinct from Indo-European language like English and from character-based languages like Mandarin. Over the course of summer in villages of Mongolia, Peace Corps put us through mornings of immersive language training followed by returns home to our host families. 

Still, many Peace Corps Trainees felt unmotivated to learn Mongolian. After all, with statistically few Mongolian speakers worldwide, many felt that we wouldn’t have much utility for Mongolian outside Mongolia. Nevertheless, I felt motivated by desires to understand and feel understood. I powered through. 

Initially, Mongolian baffled me. 

Its Cyrillic alphabet (and its script one, too) includes consonant and vowel sounds unknown to English, Spanish and Chinese. Furthermore, Mongolian uses a case-based grammar of suffixes, a reversed subject-object-verb order and postpositions instead of prepositions. Mongolian even reintroduced me to my nemeses gendered vocabulary and tense-based verb endings!

I felt grateful for the sparse Chinese loanwords I wouldn’t have to relearn! Yet, my kryptonite was often pronunciation. Challenging consonants and tricky long vowels left me so inauthentic. Regardless, I was an ardent study who savored most every chance to receive Mongols’ clarifications and corrections. 

Finding Latin in Asia

Curiously, Catholic Churches became great places for my language learning.

This was the case for me both with learning Chinese in China and Mongolian in Mongolia. Parishioners would often take me under their wings to support me. Curiously in Mongolia, an English-speaking French parishioner pointed out once that Mongolian grammar is quite like Latin. I didn’t know Latin, though. 

I had encountered Latin, though. For, Asian vocabularies for Church topics often derived more directly from Latin than even English translations! These pleased me, since learning the vocabulary to speak about religion felt less foreign. 

Then came the sleepless nights during Mongolia’s COVID-19 preemptive quarantining, January and February. I’d had taken up Duolingo and opted for Greek or Latin in hopes that they’d bore me to sleep. I’d also hoped they might supplement how I teach English and read Scripture. And while Greek felt hopelessly confounding, Latin vocabulary felt surprisingly... natural. Despite my lack of formal training, I did alright just guessing. 

My Roads Led to Latin

From late May through mid-June 2020, I’d read the first four chapters of the Church Latin book. Meanwhile, mid-summer, I felt pleased to reach Duolingo’s Diamond League! Realizing that to become Champion would take far more effort than I cared to give, though I focused just on keeping my streak. 

Still, my Latin especially progress slowed after Dad’s remarriage and my relocation to Reno, Nev. My mostly-free summer rapidly grew hectic. But even in those first four Latin weeks, I’d discovered true gems in pursuing the historic language. 

At face value, Latin’s vocabulary reminded me of Spanish and English. Sometimes, Church words I’d learned first in Mandarin and Mongolian too related! Vocabulary felt profound. 

Furthermore, Latin grammar felt reminiscent of not only Spanish conjugations but indeed Mongolian cases! I felt relieved that Panamá had freed me from my conjugation aversion. Likewise, my Mongolian skills felt far from obsolete! 

To supplement my Latin studies, I try to translate between Chinese and Spanish, the way how in Mongolia I’d translate between Mongolian and Chinese. By juggling languages, I seek to codeswitch in more contexts with a more unified vocabulary. 

Wherever I wind up academically and professionally, I hope to work between languages. Through daily discipline, textbooks, apps, videos, notes and conversations, I trust I’ll go far. Feel free to connect if you want to practice with me! The more corrections, the better. 

From Ecclesiastical to Classical Latin

On August 23 (of my stateside week 25), I’d reunited in Vegas with a high school friend who’d studied classics in undergrad. From that meeting on, I’d not only ramped up my Latin studies but also transitioned from Ecclesiastical Latin to classical. 

For, Church Latin is but an evolving Latin. To understand the orgins of many words—beyond simply their uses within the Roman Catholic Church—I would need the eternal Latin that changes no more. Well, my friend offered to tutor me, so I offered to try! 

Classical Latin is harder, by the way. 

And in the midst of my suffering throughout September, my friend had even offered to tutor me Greek. While mostly joking (but also not), I’ve offered that I might learn Greek from him if for no other reason than to thank him for teaching me Latin! 

Nearly a month since beginning the tutorial system with him, we’ve since cleared over a fourth of a textbook meant sometimes to take a year’s worth of study. I hope by the year’s end to have finished the book. 

At least a third of my waking hours at times seem to go into Latin. But, it’s nice to keep learning! That same week, my siblings had all resumed their undergraduate studies. At least I’m still learning something! 

Embarking on a Book Memoir 

Besides working on my other languages, I’ve even placed time in my English. 

Lastly, I want to share about my writing quest! Although the project isn’t always across the top of my agenda, I keep at it. We return again to mid-summer. 

Peace Corps friends and I have often checked in on each other since evacuation to the States. Some also write. During a webinar for evacuated Returned Peace Corps Volunteers, I’d met many looking to tell their stories.

Most weeks since July, I’d also have a few video calls. I’d take these no matter what I was up to. I’d still been doing that ‘groundskeeping’ in Reno, Nev. of which I’d written before. Whether I was getting the mail, trimming the hedges, pruning the flowers, watering the lawn, raking debris, sweeping the floor, taking out the trash, tugging the garbage bins, adjusting the windows or washing the dishes, I’d often had some task that Dad requested I’d tend to. Calls with friends broke the monotony. 

After encouragement from mentors and friends, I’d decided to write a creative nonfiction book memoir for publication someday! 

The first step, of course, is having a manuscript. So, since week 17 (June 26–July 2), I’d been typing away at the first chapters to what seems will be a story spanning my three years of studies and service overseas after Mother’s death, leading up to my acceptance and peace. I'm excited to tell stories about finding purpose and identity, despite grief and loss. I hope it helps readers to find their own peace amid confusion. All things are so fundamentally interconnected. 

By three weeks in, I’d felt so grateful for the outpouring of support I’d received. Frankly, I wouldn’t be writing so much if people hadn’t been saying this has potential. Thankfully, readers offer marvelous insights. They treat the story as one deserving of quality. I love their attention to details. 

Still, among the most grueling lessons I’ve learned learned has been that a book about grief has needed me to relive the hurt of my mother's death for repeated days. I trust nonetheless that once I’ve written and rewritten well, the remaining may rest behind me. 

If you’re looking to read what’s coming, you’re in the right place. Merely starting on the book has helped me to improve my blog writing. You may have noticed in my recent summer 2019 throwback stories, for example, I’ve used more narrative than before. I hope you’ve enjoyed! 

The language studies and the book continue, though I’ve taken more breaks lately with the book. From mid-August I’d embarked on advocacy projects with the National Peace Corps Association. I’ll share more on that soon. Having doubled-down on my Latin studies from mid-September, it can be a quite a black hole for my time! For everything there is a season (Ecc. 3:1). 

Seeking to Stay Holy

A couple friends admired my dedication and called upon me to help them meet their spiritual goals. What a kind expereince! In helping them keep accountable, they’ve likewise helped me. 

With a homebound Knight of Columbus, we’d continued July’s rosaries throughout August, as many as three times a day leading up to the Catholic Feast of the Assumption. Afterward, we’d reduced our count back to two times daily through early September. I’d never prayed so many rosaries before! 

Through August, I’d also read a chapter of Proverbs daily with a friend. I’d reconnected with her during my outreach for the book. I enjoy our weekly Scripture chats, and she shows more Protestant perspectives on our faith!  

I find God a great companion along the journey of life. Regardless of how you view religious and spiritual topics, I trust that you have companions, too. They’re so important! 

On a positive note, I’d gotten to revisit my undergrad parish. I felt so amazed to hear that students I’d never met thought I was a cool person! I try not to think too highly of myself, but I feel touched when people notice me. I hope I inspire folks. 

Coming up Next

Thanks for reading my meta-stories about languages and stories!  

If you’ve been following my tales for a while now, you may recall I’d mentioned feeling surprised to learn that my mother had been studying Spanish around the same years I’d been studying it. I felt awed to realize that even when I’d tried to learn one of my earliest new languages, Mom was trying to learn what was for her one of a few. I’m glad to have perhaps inherited Mother’s interest in languages. 

Up next, I have a very special piece dated for September 2020 [and ultimately released in October]. I’m focusing on perspectives—mine and others’. I’m particularly excited to share adventures with teams including those within the American Psychological Association and the Honors College at the University of Nevada, Reno. They’ve given me plenty of fun roles amid the pandemic! 

I’m also writing about national and state parks! God, I love nature.

Stay healthy, friend.

COVID-19 and America Months 11 through 15 | April, May, June, July, August

Easter Epilogue in America | #35 | April 2020 

Remembering Mom—Third Year After | #36 | May 2020 

Fathers’ Day, Faith and Familiarity | #38 | June 2020

23rd Birthday~ Roses and Rosaries | #39 | July 2020

Language Learning, Mom’s Birthday | #43 | August 2020

You can read more from me here at DanielLang.me :) 

[worklabournewsresearch]

Shining a Light on Summer Work

“Foreign students who come to the US seeking a summer ‘cultural exchange’ are subjected to wage theft by employers, retaliation, physical threats and human trafficking, a new report has revealed. The allegations are made in Shining a Light on Summer Work, a damning survey by the International Labor Recruitment Working Group, a coalition of 30 US-based labor rights organizations. The report focuses on recipients of the Summer Work Travel visa (SWT), the largest in the J-1 visa category, which offers foreign college students summer jobs in the US.”

“In 2018, nearly 105,000 J-1 SWT workers were hired in the US. More than half worked in the leisure and hospitality sector, including accommodation, food services, amusement, gambling and recreation for well-known brands such as McDonald’s, Disney and Food Lion. ... But between 2015 and 2017 about 67 visa holders sought help from an anti-trafficking hotline managed by the Washington DC-based not-for-profit Polaris, and labor advocates believe this is just the tip of the iceberg.”

“Labor advocates argue that the J-1 visa program offers even less protection than other temporary visa programs such as the H-2A and H-2B guest worker visas for agricultural and non-agricultural work. ‘The state department has no mandate or expertise on labor standards,’ said Daniel Costa at the Economic Policy Institute. They outsource this to sponsor organizations for whom this is a business and who ‘have an incentive not to report’. Carole Vigne, an attorney at Legal Aid at Work, said that the lack of government oversight, the age of participants as well as potential cultural and language barriers conspire to ‘increase the vulnerability’ of members of the Summer Work Travel program.”

The Guardian, July 30, 2019: “Foreign students hired for summer jobs in US subjected to abuses, says study,” by Milli Legrain

Economic Policy Institute, July 30, 2019: “Shining a light on summer work: A first look at the employers using the J-1 Summer Work Travel visa” (40 pages, PDF)

Topic Magazine, July 2019: “They Work Hard for the Money”

[csrgood]

2019 C.K. Prahalad Award for Global Business Sustainability Leadership Honors TerraCycle’s Loop, With Posthumous Honors to Former Duke Energy CEO, Jim Rogers

CEF presented the 2019 C.K. Prahalad Award in two categories: leadership by a collaboration to TerraCycle’s Loop Shopping Platform; and leadership by an individual executive to former Duke Energy CEO, Jim Rogers. The awards were announced at the 2019 CEF Annual Leadership Retreat, attended by senior executives representing CEF member companies with combined revenues of over $3 trillion. 

TERRACYCLE AND LOOP “Loop” is being honored for forging a revolutionary, circular business model that dramatically reduces waste by transforming how companies package and deliver everyday staples. Loop offers an easy online shopping experience with a big plus: it also takes care of packaging collection and cleaning when the product has been used up, then refills and replenishes the customer’s supply.  

A growing list of the world’s biggest consumer brands are partnering on Loop. Household names including The Clorox Company, PepsiCo, Procter & Gamble, Unilever, Nestlé, Danone—together with retailers Walgreens and Kroger and global logistics powerhouse UPS — are banking on Loop to give customers the products they love while helping them avoid the hassles of trash and recycling. 

To start, Loop will offer about 150 well-known products — things like Tide detergent, Tropicana orange juice Häagen-Dazs ice cream and Clorox Disinfecting Wipes — all in reusable packaging, delivered right to the consumer’s door. After using the products, customers put the empty containers in a specially designed Loop tote on their doorstep, where they are picked up by UPS, cleaned and refilled, then shipped back to consumers over and over. 

Participating companies have made significant investments in creating new stylish, durable packaging designs that can in some cases be reused a hundred times. If those investments prove out, they could lead to a dramatic decrease in single use plastic waste, reduce pressure on insufficient recycling infrastructure and markets, and enable recycling of certain products for the first time. 

Loop’s rollout plan is aggressive. Soon after being announced at the World Economic Forum in January 2019, a pilot of the program began rolling out in Paris and New York, with plans to expand into the London area in late 2019. Launches in Toronto, California and Tokyo are planned in conjunction with the 2020 Summer Olympics. With links to so many well-loved brands and a simple at-home collection interface, Loop can reach customers not traditionally drawn to so-called “green” commerce, leading to economies of scale that could really make a difference. Alan Jope, CEO of Unilever has described this among his company’s reasons for joining Loop, saying the consumer product giant wants “to put an end to the current ‘take-make-dispose’ culture.”  

CEF’s Founder, MR Rangaswami praised TerraCycle and the leading companies who are part of Loop: “It takes courageous leadership to buck the status quo. Loop represents a bold experiment for the consumer goods industry, and we look forward to watching it unfold.”

JIM ROGERS 

The jury for the CK Prahalad Award also honored the legacy of James E. Rogers Jr, former CEO of Duke Energy and a true champion of sustainability, who passed away unexpectedly in December of 2018.

Rogers led by asking those around him to envision a future they may not live to see. He famously applied what he called his “grandfather’s test” – a way to ensure that his actions would have a positive impact on future generations. His life was guided by a philosophy he called “cathedral thinking,” modeled on the builders of medieval churches who knew they would not live to see their work completed but nonetheless tirelessly devoted themselves to the legacy they were creating.  

Rogers translated these values into action every day of his 25 years as a CEO in the utility industry, leading Duke Energy with vision and courage, and growing shareholder value while demonstrating fervent support for sustainable energy. Rogers is perhaps best known for being at the forefront of the electric utility industry in publicly addressing the threat of climate change.  He presented Duke Energy’s Board of Directors with a plan to “decarbonize” the company by 2050, and led Duke’s work to reduce its reliance on coal well ahead of industry peers.

Rogers was one of the first American CEOs to boldly advocate for federal policy to cap the amount of carbon dioxide produced in the United States. To that end, he helped found the U.S. Climate Action Partnership in 2007—a historically important collaboration of leading businesses and environmental groups that laid the groundwork for Congress to consider federal legislation regulating greenhouse gas emissions for the very first time.

Rogers received innumerable industry awards and Newsweek named him one of the "50 Most Powerful People in the World." Yet as impressive as his many accomplishments were, what was especially notable was the way he wielded that power – with a view to the future, with a commitment to humanity, and with kindness and good humor always on display.

Even during his retirement he did not rest, instead turning his attention to those in need and focusing his efforts on providing rural people in low-income nations access to clean, sustainable electricity, as documented in his book, “Lighting the World: Transforming Our Energy Future by Bringing Electricity to Everyone.”  

CEF Chair, P.J. Simmons, added “Jim Rogers inspired so many of us personally, and set the bar high for what exceptional sustainable private sector leadership looks like. We are honored to have the opportunity to shine a light on Jim’s extraordinary life and legacy.” 

VIDEOS PROFILING THE WINNERS  Terracycle and Loop: https://youtu.be/Vg5Qg4aSdio

Jim Rogers: https://youtu.be/_b0W0Tmv9DU 

CONTACT: MR Rangaswami, Founder, Corporate Eco Forum 415-516-5857 mr@corporateecoforum.com 

ABOUT CEF 

CEF is an elite, invitation-only membership organization comprised mainly of Fortune and Global 500 companies from 18 industries with combined revenues of over $3 trillion. CEF provides a year-round safe, neutral space for influential executives to exchange best practice, collaborate, and innovate. Participants are almost exclusively VP and C-level executives across multiple business functions. The diversity of executives, coupled with the cross-industry nature of CEF, creates a world-class platform to accelerate sustainable business problem solving and innovation.

ABOUT THE C.K. PRAHALAD GLOBAL SUSTAINABILITY LEADERSHIP AWARD 

The C.K. Prahalad Global Sustainability Leadership Award, created in 2010 to honor founding CEF Advisory Board member C.K. Prahalad, recognizes exceptional, globally significant private-sector action—within or outside the CEF membership—that exemplifies the fundamental connection between sustainability, innovation and long-term business success in a globalizing world. C.K. Prahalad Award winners are determined through private votes cast by CEF’s 24-member advisory board, which includes representatives from government, academia, nongovernmental organizations, and the private sector. The voters chose from a roster of finalists, selected following an open nominations process. Past award recipients include the following: 

• 2010: Walmart Brazil and CEO Hector Nuñez  • 2011: Coca-Cola and CEO Muhtar Kent  • 2012: Dow Chemical Corporate Vice President and CSO Officer Neil Hawkins; The Sustainable Apparel Coalition; and Unilever and CEO Paul Polman • 2013: FEMSA Foundation Director Vidal Garza Cantú; Nike CSO and Vice President of the Innovation Accelerator Hannah Jones; and UPS CFO Kurt Kuehn • 2014: Robert B. Carter, Executive Vice President, Information Services/CIO, FedEx Corporation; Global Water Challenge (GWC); Tamara “TJ” DiCaprio, Senior Director of Environmental Sustainability, Microsoft • 2015: NRG Energy and CEO, David Crane • 2016: Siemens and CEO Joe Kaeser with special honors to Christiana Figueres and Douglas Tompkins  • 2017: Urs Hölzle, Google, Renewable Energy Buyers Alliance (REBA), and honorary award to Dr. John B. Goodenough  • 2018: Lisa Jackson, Apple, The Task Force on Climate-Related Financial Disclosures (TCFD). 

CEF MEMBERS

3M, Allegheny Technologies, Amazon, Apple, Aptiv, Bank of America, BASF, Bloomberg LP, Boeing, Bose, CBRE, Chevron, Cisco, Clorox, Comcast NBC Universal, Dell, Dow Chemical, Duke Energy, Ecolab, Enterprise Holdings, The Estée Lauder Companies, ExxonMobil, Facebook, Fidelity, Ford, General Motors, Google, HanesBrands, Honeywell, HP, HPE, Hyatt Hotels, Ingersoll Rand, International Paper, JetBlue Airways, Johnson & Johnson, JPMorgan Chase & Co., Kaiser Permanente, Kimberly-Clark, Lockheed Martin, Marriott International, Mastercard, McDonald's, McKinsey & Co., Microsoft, Morgan Stanley, NextEra Energy Resources, Northrop Grumman, NRG Energy, Oracle, Patagonia, PepsiCo, Procter & Gamble, Sealed Air, Siemens, TD Bank Group, Tiffany & Co., TPG Capital, Unilever, UPS, Verizon, VF Corporation, Visa, The Walt Disney Company, Waste Management, Wyndham Worldwide ###

source: https://www.csrwire.com/press_releases/42044-2019-C-K-Prahalad-Award-for-Global-Business-Sustainability-Leadership-Honors-TerraCycle-s-Loop-With-Posthumous-Honors-to-Former-Duke-Energy-CEO-Jim-Rogers?tracking_source=rss

[hollyisonholiday-blog]

Magic Kingdom – Walt Disney World In the summer of 2017 I participated in Walt Disney World's Cultural Exchange Program. I flew out to Orlando for three months and worked for the mouse.

[deniscollins]

Roseanne Barr Incites Fury With Racist Tweet, and Her Show Is Canceled by ABC

Comedian Roseanne Bar’s TV show is the highest rated new TV show on ABC and brought in $45 million in advertising revenue. If you were an ABC executive, what would you do if Roseanne tweeted a cruel and racist comment about a political adverser, apologized for the joke being in bad taste which she had posted at 2 a.m., and noted she would no longer do Tweets: (1) Forgive her, (2) Discipline her, or (3) cancel her show, cancel reruns, and remove the show from your website? Why? What are the ethics underlying your decision?

Two months ago, Roseanne Barr was a star again.

Her sitcom “Roseanne” returned in March after a two-decade absence to enormous ratings on ABC. Network executives were celebrating their strategy of appealing to wider swaths of the country after Donald J. Trump’s surprising election win and the president himself called Ms. Barr to congratulate her on the show’s large audience.

But on Tuesday, that all came crashing down. ABC abruptly canceled “Roseanne” hours after Ms. Barr, the show’s star and co-creator, posted a racist tweet about Valerie Jarrett, an African-American woman who was a senior adviser to Barack Obama throughout his presidency and considered one of his most influential aides. Ms. Barr wrote if the “muslim brotherhood & planet of the apes had a baby=vj.”

Ms. Barr later apologized, but it was too late. In announcing the show’s cancellation, ABC’s entertainment president, Channing Dungey, said in a statement that “Roseanne’s Twitter statement is abhorrent, repugnant and inconsistent with our values.”

The show had ended its successful comeback season last week and was expected to return in September for a 13-episode run. Robert A. Iger, the chief executive of the Walt Disney Company, ABC’s corporate parent, shared Ms. Dungey’s statement on his own Twitter account, adding: “There was only one thing to do here, and that was the right thing.”

The sudden cancellation of a hit show — it had the highest ratings of a new TV series in years — because of offscreen controversy was almost without precedent.

The show brought in an estimated $45 million of advertising revenue for ABC this year, and the network likely would have collected more than $60 million next season, according to Kantar Media.

The move was decided by top Disney and ABC executives, including Ms. Dungey who was appointed to her  role in February 2016, becoming the first black entertainment president of a major broadcast television network. She had the backing of Ben Sherwood, the head of ABC’s television group, and Mr. Iger, who was involved in the process starting very early on Tuesday, according to two Disney insiders who spoke on the condition of anonymity to describe company matters.

On a phone call with ABC and her representatives shortly before the show was canceled, Ms. Barr expressed remorse for the tweet but did not seem to be fully aware of the potential implications for her sitcom, according to a person familiar with the phone call who spoke on condition of anonymity because it was private.

For Disney, there was more at stake than a hit show. The company has been widely praised in recent years as a leader in efforts to combat racial stereotypes through its movies and TV series, whether on “Doc McStuffins,” a Disney Channel cartoon about an African-American girl who wants to be a doctor; “How to Get Away With Murder,” a vehicle for Viola Davis that led her to become the first black woman to win a lead-actress Emmy; and “Black Panther,” which proved that movies rooted in black culture and with predominantly black casts could become global blockbusters.

If Disney did not act forcefully with regard to “Roseanne,” much of that work might have been rendered moot.

Ms. Jarrett, who appeared at an MSNBC town hall about racism in America on Tuesday, said of Ms. Barr’s tweet, “We have to turn it into a teaching moment.”

“Bob Iger, who’s the C.E.O. of Disney, called me before the announcement,” she added. “He apologized. He said that he had zero tolerance for that sort of racist, bigoted comment, and he wanted me to know before he made it public that he was canceling the show.”

It did not take long for ABC to move on. A repeat episode scheduled for Tuesday night was promptly replaced with a rerun of “The Middle.” The network also began the process of taking each episode of “Roseanne” off its website, and Hulu, which is partly owned by Disney, is also removing episodes from its service.

The timing of Ms. Barr’s outburst was terrible for ABC. She wrote the message just two weeks after the network made its pitch to advertisers about its coming fall lineup, with the hope of attracting up to $9 billion in advertising commitments by summer’s end.

“Roseanne,” and its enormous audience and broad appeal, was the centerpiece of ABC’s presentation. Ms. Barr was introduced to the stage at Lincoln Center’s David Geffen Hall before any other ABC executive or star. Once there, she joked that her tweets were actually written by Mr. Sherwood.

Then came Ms. Barr’s tweet about Ms. Jarrett. She made it in response to a tweet suggesting that Ms. Jarrett may have had a role in helping Mr. Obama in a scheme Mr. Trump has branded “Spygate,” a debunked conspiracy theory involving an informant being planted in his campaign that the president has promoted in recent weeks.

Ms. Barr initially dismissed accusations that the comment was racist, defending it as "a joke.”

Earlier, Ms. Barr had an exchange with Chelsea Clinton after Ms. Barr erroneously referred to Ms. Clinton as “Chelsea Soros Clinton,” a reference to George Soros, the billionaire liberal donor who is often the focus of conservative critics. Donald Trump Jr. shared one of Ms. Barr’s posts in the exchange.

She later deleted the post about Ms. Jarrett. About a half-hour later, she offered an apology.

“I apologize to Valerie Jarrett and to all Americans,” she wrote. “I am truly sorry for making a bad joke about her politics and her looks. I should have known better. Forgive me - my joke was in bad taste.”

Ms. Barr also said she was “leaving Twitter” — but hours later, she was back, retweeting statements of support and links to conservative websites.

“It was 2 in the morning and I was ambien tweeting,” Ms. Barr later wrote, referring to a sleep aid that can cause changes in mood and behavior, “It was memorial day too-i went 2 far & do not want it defended-it was egregious Indefensible. I made a mistake I wish I hadn’t but...don’t defend it please.”

Ms. Barr was already being disavowed by longtime colleagues and formerly supportive voices.

Shortly before the cancellation, Wanda Sykes, a consulting producer for the show, quit. Sara Gilbert, a co-star who played Roseanne’s daughter and was a driving force behind the series revival, said she was “disappointed in her actions to say the least.”

The agency ICM dropped Ms. Barr as a client, saying it was “distressed by the disgraceful and unacceptable tweet.”

Even Bill O’Reilly, the former Fox anchor who has been supportive of the show, called her tweet “vicious” and said the series “could not continue with the show without insulting millions of Americans.”

Asked on Air Force One if Mr. Trump had any reaction to the show’s cancellation, the White House press secretary, Sarah Huckabee Sanders, demurred. “I think we have a lot bigger things going on in the country right now,” she said.

Canceling the series that quickly was a highly unusual step for a network. When series like “Two and a Half Men,” “House of Cards” or “Transparent” were at the center of storms surrounding their biggest stars, the casts were reworked but remained on the air. But none of the stars involved in those shows were as central to their identity as Ms. Barr was to “Roseanne.”

Months before her show’s return, Ms. Barr said that her children had taken her social media accounts away from her.

But as viewers flocked to “Roseanne,” Ms. Barr returned to Twitter. One of Ms. Barr’s messages accused a survivor of the high school shooting in Parkland, Fla., of giving a Nazi salute; another involved a conspiracy theory about Mr. Trump quietly breaking up a child sex trafficking ring including prominent Democrats.

“You can’t control Roseanne Barr,” Mr. Sherwood said in an interview with The New York Times in March, when asked about her Twitter account. “Many who have tried have failed.”

But there were other sources of controversy.

The revival’s third episode featured a joke about two ABC comedies with diverse casts, “black-ish” and “Fresh Off the Boat.” Ms. Barr’s character and her husband, Dan, played by John Goodman, wake up on the their living room couch, having fallen asleep in front of the television. “We missed all the shows about black and Asian families,” Dan Conner said. To laughter from the show’s studio audience, Roseanne Conner responded, “They’re just like us. There, now you’re all caught up.”

The joke prompted an outcry but ABC defended the show. “It certainly wasn’t meant to offend,” Ms. Dungey said this month. “I do stand by the ‘Roseanne’ writers.”

Even as “Roseanne” experienced success, ABC’s relationship with the “black-ish” showrunner, Kenya Barris, deteriorated, in part because of a decision to pull an episode of the show not long before it was set to air. Mr. Barris is in negotiations to leave his ABC contract and begin working with Netflix.

“Roseanne” will probably finish the 2017-18 television season as the No. 3 rated show, behind two NBC programs: “Sunday Night Football” and “This is Us.” More than 18 million people on average have watched “Roseanne” this season, according to Nielsen’s delayed viewing data.

Tuesday was the first day that “Roseanne” producers and writers convened on the show’s lot in Studio City, Calif., to begin work on the next season. According to Bruce Rasmussen, an executive producer, they were aware of Ms. Barr’s tweet when they arrived and “were horrified.” But they thought it could take a few days for the repercussions to be decided. Instead, within just a few minutes of getting to work, the group of a little more than a dozen people found out the show had been canceled as the news circulated online.

“We were gut-punched,” Mr. Rasmussen said. “It was really depressing that that one stupid sentence that she sent out destroyed a whole bunch of peoples’ jobs.”

[touristguidebuzz]

Travel This Week — What to Expect: TripAdvisor and Priceline Strategy Tweaks

TripAdvisor has spent some $23 million since mid-June 2017 in U.S. TV advertising, according to iSpot.tv. Pictured is an image from one of the ads. TripAdvisor

Skift Take: With the summer travel season in many parts of the world winding down, so is TripAdvisor's TV spend but let's see if it is starting to be a difference-maker. Meanwhile, new IHG CEO Keith Barr is conducting his first financial results call at the helm. Let's see how he does.

— Dennis Schaal

We should hear plenty more this week about whether TripAdvisor’s return to TV advertising and muted Instant Booking strategy is beginning to make a dent, and whether lodging-focused Booking.com’s modest introduction of flights amidst a renewed Kayak acquisition spree of flight-oriented metasearch sites represents a significant shift.

Meanwhile, SeaWorld, which is the subject of multiple federal investigations in the U.S. for allegedly fibbing about the financial impact of the scathing Blackfish documentary, may shed light this about whether it is seeking to sell Busch Gardens.

Here’s what’s going down in Travel This Week — What To Expect and, as always, you can read all of our reports here.

TripAdvisor Is Spending big on TV Advertising

TripAdvisor releases its second quarter financials on Tuesday and officials will chat about it the next day. They may not talk year-to-date numbers about advertising spend, but iSpot.tv estimates that TripAdvisor has shelled out about $23 million on four TV spots in the U.S. since returning to the airwaves for the first time in several years in mid-June at the very tail end of the second quarter.

That puts TripAdvisor in a distant second place in spending compared with its rival, Expedia’s Trivago ($69 million), but respectably ahead of the much-bigger Booking.com ($21.7 million), Priceline.com ($9.1 million) and Hotels.com ($8.9 million).

These are very early days for what is expected to be TripAdvisor’s multi-year TV advertising campaign. Some things to look for: Now that TripAdvisor is downplaying Instant Booking — although it is still very much an option for travelers — and re-emphasizing traditional metasearch links on its sites and app redesigns, is its number of hotel shoppers growing at an attractive clip, and is the company’s revenue per hotel shopper righting itself globally?

Another issue, too: How much will all of this necessary TV advertising spend bite into profits, and will the second quarter report do anything to warm investor’s cold should to TripAdvisor’s stock as of late?

Will the Priceline Group keep on Rolling?

The Priceline Group juggernaut continues to roll with its $2,032 per share stock price and a market cap just shy of $100 billion. Think of the coolness the somewhat-button-downed Priceline Group management would command if they were only headquartered in Silicon Valley rather than Connecticut and Amsterdam.

The Economist recently dubbed the Priceline Group the best-run Internet company after Amazon. Thankfully there is probably not an overload of Silicon Valley-like “bro culture” at Priceline, though. Gillian Tans runs its largest unit, Booking.com, and another subsidiary, OpenTable, has a female CEO, Christa Quarles, as well.

But we digress. The Priceline Group reports earnings Tuesday, and analysts expect a strong quarter. Financial firm PiperJaffray, for example, expects the Group to do fairly well in Europe, its most important region, based on strong European airline results in the second quarter and because the financial results of rival Expedia, which already reported, were fairly solid on the Continent.

It is reasonable to expect that Priceline Group officials might volunteer — or perhaps analysts will prod them — to give some early color on how Booking.com’s introduction of a flight tab on its homepage is going. While some might view the test or decision in earnest to develop a flights vertical as one of those why-didn’t-they-do-this-years-ago kind of things, it actually isn’t. Booking.com’s overarching ocus on lodging has catapulted the Priceline Group to that $100 billion market cap, and that’s not something you mess with on a whim.

We’ll also be interested to hear more on whether Kayak’s recent moves in acquiring the flight-focused Momondo Group and late last week picking up the assets of another flight-heavy metasearch site, Brazil’s Mundi.  Kayak has long had a multi-brand strategy (Kayak, Momondo, Cheapflights, Swoodoo, Checkfelix and now Mundi) and building up Kayak’s flight acumen globally could be part of an effort to bolster Booking.com’s new tilt toward flights.

That begs the proverbial question: Are more acquisitions for the Priceline Group on the agenda, sooner rather than later? Ever since its problematic OpenTable acquisition, the Priceline Group’s acquisitions have been relatively modest in size.

A Theme Park Theme

Theme parks will get a moment in the spotlight on Tuesday when both SeaWorld and Disney report earnings. But the stories are likely to be worlds apart. It will be SeaWorld’s first earnings call since revealing the existence of inquiries by the U.S. Department of Justice and the Securities and Exchange Commission in June.

Authorities are looking into comments made by company executives about the impact of the critical documentary Blackfish, which hurt attendance and earnings. SeaWorld may also comment on whether it has plans to sell Busch Gardens. Merlin Entertainments has expressed interest in kicking the tires.

Disney, on the other hand, will have a new addition to one of its Orlando parks to discuss during its call, as well as several major announcements it made last month about future expansions.

TUI’s Thinking and the German Airline Market?

Will TUI Group use next week’s third quarter results’ announcement to flesh out plans for its German airline unit? The German aviation market has been plagued with overcapacity issues in recent years but a proposal to form a joint venture between TUI, Air Berlin and Etihad Airways was called off.

Nobody has yet found a solution and last month Bloomberg suggested that a deal could be back in the cards. Meanwhile, it will also be interesting to see if TUI has any more plans to develop its cruise and hotel assets, particularly as Chief Executive Fritz Joussen sees no no long-term future for intermediaries like Expedia.

We have to point out that’s the death of online travel agencies, like the demise of global distribution systems, is a very questionable viewpoint given the fact that intermediaries, like many companies, have the ability to adapt.

At any rate, we’re sure the issue of the future of online travel agencies and blockchain disruption won’t get sorted out this week.

IHG CEO’s coming out party

New InterContinental Hotels Group CEO Keith Barr’s first earnings call at the helm will take place Tuesday so it should be interesting to hear what he has to say as part his formal introduction to investors. It would be interesting to hear more about the chain’s thinking on its recently enacted 24-hour cancellation policy given the fact that some of its peers have opted for 48 hours.

Perhaps, too, IHG will provide more detail on that new midscale brand it plans to launch. The new brand’s name, for starters, would be helpful.

Ya, That Marriott-Starwood Integration is ONGOING

Now that we’ve given our take on — and explained — every one of the new Marriott’s 30 brands, the chain on Monday is likely to give an update during its earnings call on where it stands with what it admits is its complex and critical back-end integration of Starwood.

Other key issues assuredly on the agenda include progress — or lack thereof — in improving the consistency and standards of former Starwood brands, including Sheraton and W, as well as more color on Marriott’s new 48-hour cancellation policy. There might, too, be discussion about ongoing updates to the loyalty programs and integration.

La Quinta’s Spin on its Real estate Biz

With Wyndham spinning itself into a tizzy and aiming to create two public companies as a backdrop, La Quinta takes its turn in the quarterly earnings limelight on Monday and is likely to to give an update on its own spinning wheel.

La Quinta likewise intends to morph into two public companies, separating its real estate division from its hotel franchise and management business.

In all of these things, the chains believe they are creating greater transparency for investors into their disparate businesses and importantly are manufacturing additional shareholder value. In other words, in these instances, the whole is not greater than the sum of its parts.

Skift editors Hannah Sampson, Patrick Whyte and Deanna Ting contributed to this report.

[redcarpetview]

The Long Center Announces its 2017 Summer/Fall Season

     June 20, 2017 (Austin, TX)—The Long Center for the Performing Arts is proud to announce its 2017 Summer/Fall Season of programming. This year, we are excited to offer a refreshed approach to season tickets that we feel confident our patrons will embrace. That said, we have split our annual program into two seasons—Summer/Fall and Winter/Spring—to allow for more shows during the year, a shorter window of upfront commitment, and a simpler process for becoming a Season Ticket Holder. 

     We have a stellar line up of shows and Austin premieres this season, including the Tony Award-winning and critically acclaimed musical Fun Home, live-score movie screenings of Star Wars: A New Hope and Terrence Malick’s The Tree of Life as a part of our new “Live-To-Picture” series, a conversation with Pulitzer-Prize winning journalist and New York Times Op-Ed columnist Maureen Dowd, and programming perfect for the whole family with our “Season of Cheer” series featuring holiday favorites Rudolph the Red-Nosed Reindeer and A Christmas Story: The Musical.

       As a new Season Ticket Holder, purchase any three shows from the just-announced Long Center Presents 2017 Summer/Fall Season and save 10% off the cost of every ticket — plus free exchanges and priority access to new shows before they go on sale. As well, you can get exclusive access to our Donor Lounge, typically only available to donors at the $1000 level. Visit our website to view the shows and learn more about the benefits and rewards that come when you become Season Ticket Holder. We hope you will join us at the Long Center!

     Tickets for all Long Center Presents individual performances go on sale Monday, June 26, at 10 a.m.

      Stay tuned! The Long Center will announce its 2018 Winter/Spring season in September.

       Here’s a complete look at what’s upcoming in our 2017 Summer/Fall Season:

    Fun Home Dell Hall, August 11-13 Called “A rare beauty that pumps fresh air into Broadway,” by the New York Times , and “Exquisite. An emotional powerhouse,” by the Chicago Tribune , Fun Home is the winner of five 2015 Tony Awards including Best Musical, Best Score, Best Book, and Best Direction . Based on Alison Bechdel’s 2006 best-selling graphic memoir, Fun Home introduces us to Alison at three different ages as she explores and unravels the many mysteries of her childhood that connect with her in surprising new ways. A finalist for the Pulitzer Prize, Fun Home is a refreshingly honest, wholly original musical about the private life of families and seeing your parents through grown-up eyes.

FRI, 8/11 – 8 p.m. SAT, 8/12 – 3 p.m. & 8 p.m. SUN, 8/13 – 2 p.m. & 7 p.m. __________________________________________

      Live-To-Picture: Movies & Music We Love A brand new series of live-score movie screenings, cinematic invention and more! In partnership with the Alamo Drafthouse, Austin Film Society, and Austin Film Festival Manual Cinema: Lula Del Ray Rollins Studio Theatre,  September 13 - 14            Alluringly low-fi, this troupe of theatrical artists are not just puppeteers, but creators of otherworldly landscapes through a striking combination of live actors, old-school projectors, and silhouette magic. Join us for the Austin premiere of Lula Del Ray, the story of a girl living on a vast desert plane who embarks on a hypnotic journey to meet up with a beloved country music duo.

WED, 9/13 – 7:30 p.m.  THUR, 9/14 – 7:30 p.m.& 10 p.m.

      The Long Center and Wordless Music present Terrence Malick's The Tree of Life Dell Hall, September 30, 7:30 p.m. Part coming-of-age story and part divine commentary, Terrence Malick’s star-studded and slow-burning art film, “The Tree of Life,” sparked a dialogue within the industry about memory, the meaning of life, and the role that film can play in representing those ideas. Enchanting and dissonant, Alexandre Desplat’s score brings a haunting depth to the film, supported by the dramatic Romantic-era compositions of 19th-century titans like Mahler, Brahms and Smetana. Screening with live score performed by Austin Symphony Orchestra and Chorus Austin.  

     Star Wars: A New Hope Dell Hall, October 11 – 12 John William’s legendary “Star Wars” score didn’t just enhance a great story, it gave life to an entire galaxy. From “Binary Sunset” to the “Imperial March,” the themes of “A New Hope” ushered in a renaissance of film music, the likes of which Hollywood had never seen before. Join us for a special screening with live score performed by the Austin Symphony Orchestra in honor of the 40th Anniversary of this most celebrated film.  WED, 10/11 – 7:30 p.m.

THUR, 10/12 – 7:30 p.m.

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     Music

The Legend of Zelda: Symphony of the Goddesses Featuring the Austin Symphony Orchestra & Chorus Austin Dell Hall, July 7, 8 p.m. Coinciding with the newly released The Legend of Zelda: Breath of the Wild and Nintendo’s new Switch, The Legend of Zelda: Symphony of the Goddesses returns to the Long Center stage on July 7 for one performance only. Now in its fourth season and featuring new music and video, the concert comes to life with a 66-piece orchestra, 24-person choir, and a reimagined score that draws from previous Legend of Zelda games, including A Link Between Worlds, Twilight Princess HD, and Majora’s Mask 3D, while still paying homage to such classics as Ocarina of Time 3D and A Link to the Past. 

      An Evening with The Piano Guys              Dell Hall, August 23, 8 p.m. Hailing from Utah, The Piano Guys have become an internet sensation by way of their immensely successful series of self-made music videos, leading to over 500 million YouTube views. Including their innovative multi-handed version of One Direction’s “What Makes You Beautiful,” and a gorgeous reinvention of the hit song “Let It Go,” from Disney’s Frozen, The Piano Guys continue to wow fans with their ingenious mash-ups, genre-bending arrangements, and ability to meld the worlds of Mozart and Adele so seamlessly.

      An Evening with Carrie Rodriguez Rollins Studio Theatre, August 30, 7:30 p.m.

Austin native Carrie Rodriguez is a fiddle playing singer songwriter who approaches her country-blues sound with an “Ameri-Chicana” attitude.  Her latest release, “Lola,” takes her back to her ranchera musical roots and was hailed as the “perfect bicultural album” by NPR’s Felix Contreras. With her Texas twang and unique mix of language and Mexican Ranchera melodies, Rodriguez’s culturally blended music is effortless and exceedingly timely. Part of the Long Center’s Concert Club series.

               Kaki King: The Neck is a Bridge to the Body Rollins Studio Theatre, September 16, 8 p.m. Hailed by Rolling Stone Magazine as “a genre unto herself,” composer, guitarist, and recording artist Kaki King performs her latest work, “The Neck Is a Bridge to The Body” – a simultaneous homage and deep exploration of her instrument of choice. In this bold new multi-media performance, Kaki deconstructs the guitar’s boundaries as projection mapping explores texture, nature, and creation. With nine studio albums and now “Neck,” Kaki’s whole body of work comes together with a natural overarching and evolutionary theme that is impossible to overlook.

       The Jeff Lofton Electric Thang Rollins Studio Theatre, October 25, 7:30 p.m. Jazz artist Jeff Lofton – together with his groups The Jeff Lofton Trio and his Electric Thang – has quickly become a household name around Austin’s low-key bars and jazz lounges. Lofton arrived in Austin in 2007, blowing the underground scene away with his Miles Davis tributes and original compositions. Through word of mouth and continued presence in the jazz festival scene, Jeff Lofton’s trumpeting has become the jazz sound of the city. Part of the Long Center’s Concert Club series.

    ________________________________________

      Season of Cheer! Celebrate the holidays with friends and family at the Long Center with our new series of themed programming.

     Rudolph The Red-Nosed Reindeer: The Musical Dell Hall, November 24 - 25

The favorite TV classic soars off the screen and onto the stage in this beloved adaptation. Come see all of your favorite characters from the special including Santa and Mrs. Claus, Hermey the Elf, the Abominable Snow Monster, Clarice, Yukon Cornelius, and of course, Rudolph brought to life! FRI, 11/24 – 4 p.m. SAT, 11/25 – 11 a.m. & 3 p.m.

      Santa on the Terrace

City Terrace, November 24, 10 a.m. – 1 p.m.

Bring the family and join us on the City Terrace and take some time out of the busiest holiday of the year to celebrate the season. Bring the kids for a free photo with Santa and enjoy holiday treats, activities and entertainment, all overlooking the best view in Austin!  FREE

      Graham Reynolds Ruins the Holidays

Rollins Studio Theatre, December 20, 7:30 p.m. Composer and bandleader, Graham Reynolds, along with some of Austin’s best musicians wreak musical havoc with an explosive set of holiday favorites. By playing most of them in a minor key, Reynolds and his band bring a new perspective to these season standards. Get ready for a set that is raucous, rocking, beautiful, introspective – and everything in between. Part of the Long Center’s Concert Club series.

      A Christmas Story: The Musical Dell Hall, December 29 – 31

After a smash-hit Broadway run garnering three Tony-Award nominations including Best Musical, this Christmas classic returns for another year. Based on the perennial holiday movie favorite, the story takes place in 1940s Indiana, where a bespectacled boy named Ralphie wants only one thing for Christmas: an official Red Ryder Carbine-Action 200-shot range Model Air Rifle! FRI, 12/29 – 8 p.m. SAT, 12/30 – 11 a.m., 3 p.m., 8 p.m. SUN, 12/31 – 1 p.m.

   _____________________________________

      And more!

     Shopkins LIVE!   Dell Hall, October 21, 2 p.m.

Shopkins LIVE! lights up the stage in this premiere live production packed with show-stopping performances featuring the Shoppies and Shopkins characters taking the stage with an all-new storyline, music, and videos. Join Jessicake, Bubbleisha, Peppa-Mint, Rainbow Kate, Cocolette, and Polli Polish as they perform the coolest dance moves, sing the latest pop songs, and prepare for Shopville’s annual “Funtastic Food and Fashion Fair.”

      An evening with Maureen Dowd and Carl Hulse In Conversation Dell Hall, Saturday November 18, 8 p.m.

Pulitzer Prize-winning journalist and Op-Ed columnist for the New York Times, Maureen Dowd, and award-winning author and the Times’ Chief Washington Correspondent, Carl Hulse, will examine the state of the nation one year following the most divisive presidential election in American history. Join us for an evening of incisive dialogue as Dowd and Hulse discuss how we got here and what lies ahead.

    ____________________________________________

      Tickets for all Long Center Presents individual performances will be available Monday, June 26 at 10 a.m. at TheLongCenter.org or by calling (512) 474.LONG (5664). Also available at the Long Center’s 3M Box Office located at 701 West Riverside Drive at South First Street.  For groups of 10 and more, please call 512-457-5150 or groupsales@thelongcenter.org.

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